Sunday, November 1, 2026

"The Ginghee"

Drawing by Henry Lewis (2024)


The Ginghee

by

James Lewis


1.

It must have been some ancient, deep-seeded defense mechanism that dragged Pamela up from the depths of sleep in the middle of the night. Nothing else could have pulled her out of the dream she had been enjoying. One moment, she was in the arms of Steve Mason, starting quarterback for Seton Hills Junior High School football team (and boyfriend of her best friend Emily Kowalski), and the next his baby blue eyes, his kissable lips, and tight butt were torn from her grasp. She came awake with the certainty that there was something — some thing — in her room.

Pamela picked up her phone from her bedside stand. It was 3:37 a.m. No one else was up in the entire house. There was no light coming into her room from beneath the door. The curtains on her windows were drawn tight, but there was no glow around the edges. There were no street lights in her neighborhood. A few neighbors, like old Mrs. Gagliardi, two doors down, left their porch lights on overnight, but that didn’t make a difference. In this part of town — the outskirts of the outskirts — when it was 3:37 a.m., it was dark.

Pamela sat up and surveyed her room. In the gloom, she could make out the general shapes of her desk, her dresser, the closet door, but she knew these more from memory than from perception. Which books were on her desk? Was one of the dresser drawers ajar and a shirt puffing out of the opening? These particulars she did not know. She reached out to turn on the lamp on the table next to her bed, but her hand froze in mid-air. She looked at her hand — or the shadowy shape that she took to be her hand — and wondered at its obstinacy.

...the Ginghee loves dark places...

The words returned to Pamela's conscious mind, unbidden. She tried to push them away, but, like her hand, they seemed to have their own agenda.

...the Ginghee loves dark places, inside closets and under beds, up in attics and down in basements. Sunlight is its enemy, but man-made light is like candy to it. Indeed, the Ginghee sups on lamplight the way the vampire sips blood from its victim’s neck. Turn on the light beside your bed and watch the Ginghee drink it all until it disappears, and it is dark again. Dark and cold and safe for the Ginghee to move freely about...

Pamela shook her head, hoping those words would disappear from her mind the way the words disappeared from the top sheet of the Magic Slate pads that her grandmother, to this day, always included in her Easter basket. Those words remained, however, just as the afterimage of whatever you drew on the Magic Slate’s opaque plastic top sheet remained carved into the soft wax underneath. There was no getting rid of them: they were her own words. They were exactly how she and her friends had described the Ginghee to her little sister Susan.

But the Ginghee isn’t real, she told herself, it was made up. The girls hadn’t really known what they were saying. Pamela only wanted Susan to go away. To stop making a nuisance of herself. To stop following them everywhere. The others — Emily, Rebecca, and Michelle — liked having Susan around, but in the way cats liked playing with a mouse.

Pamela knew what these girls were capable of when playtime was over and their claws came out. Hadn’t Pamela herself taken the place of one such mouse? Deirdre Lively had been one of the popular girls until recently. Then, for no apparent reason, Deirdre found herself savaged and thrown aside. There was talk of Deirdre moving to a new middle school, someplace where the rumors the girls had spread about her could not reach. Pamela did not dwell too long on Deirdre’s fate. It did not pay to think too hard or too long on such things.

Pamela had thought long and hard, however, on her sister’s fate. Susan was an annoying little brat, but she was Pamela’s sister, after all. Pamela knew she had to chase the six-year-old away before the other girls got any ideas.

It was then that the Ginghee had popped into Pamela’s mind.

It was just a nonsense word, one that Pamela had created out of thin air when she had been Susan’s age. Pamela used the word “Ginghee” the way an adult used any number of obscenities. When asked why she no longer played with Janice from down the street, Pamela would answer in her sweet, lisping tone: “I don’t like her anymore. She’s a ginghee.” When asked what she meant, what exactly was a “ginghee,” Pamela would shrug and say, “A ginghee’s a ginghee.”

Everyone thought it was cute. Even her parents got in on the act, referring to the driver who cut them off in traffic as “a real ginghee.” But like all childish things, it soon was put away. The word dropped from Pamela’s vocabulary just after she entered first grade, and none of them had given the term another thought.

Until a week ago, when Susan would not leave Pamela and her friends alone. The four of them had been in Pamela’s room recording videos of themselves on their phones lip-syncing to music. Even though her mother forbade her doing so, Pamela had locked the door to her bedroom. That didn’t stop her little sister, however. Susan sat in the hallway, tapping on the door, twisting the knob, peering through the space between the bottom of the door and the hardwood floor, and begged to be let in. Texting her mother to tell Susan to go away hadn’t worked. Yelling into the network of heating and cooling ducts attached to the register grate on her bedroom floor hadn’t worked. Finally, Pamela had had enough. She would take care of the annoying little twerp herself. She pulled the door open, dragged Susan into the room, and then shut and locked the door again.

Pamela hadn’t been thinking of where the word came from or what it meant or why it seemed so appropriate. She only wanted the brat to go away. She knew that Susan was afraid of the dark — what child of six is not? — so Pamela played on that fear, stocking the pond of Susan’s imagination with a creature she was sure would drive her away.

“If you don’t get out of here,” Pamela said in a fit of frustration, “I’ll send the Ginghee after you!”

The child’s eyes popped wide. Pamela knew the bait had been taken. Susan believed. Immediately. Totally.

Too late, Pamela realized that the others knew it, too. The girls saw Susan’s utter belief, saw her fear, and then pounced with their claws exposed, if not fully, then just enough to draw a little blood. Just for funsies.

Each girl, in turn, took Susan by her slim shoulders and pulled her close. Each, in turn, built the Ginghee up from nothing. From a mere nonsense word, the Ginghee became fully fleshed and, for Susan, fully real.

“The Ginghee,” said Emily, “is ten feet tall, all black, and made of nothing but spider’s legs with a head on top.”

“The Ginghee,” said Rebecca, “has no face of its own, so it must wear the face of its previous victim.”

“The Ginghee,” said Michelle, “is always hungry and must always feed, especially on the flesh of bad little girls.”

“The Ginghee,” said Pamela, who’s desire to be one of the gang outweighed her familial obligations, “will never leave its victim alone. Until the very end.”

On and on it went, description on top of description, layer upon layer, rule after rule, until the sinister portrait was painted.

Susan fled. And that was that.

Until that night, when Susan woke up screaming.

Pamela had heard her sister in the middle of the night and immediately knew that she was in for it. Her mother and father would blame her and her friends for giving Susan nightmares. She’d have to sit for the usual parental nonsense about looking after your younger sister and the bad influence of older kids who may not be such wonderful friends and on and on and yeah, yeah, yeah.

Pamela knew that, between the two of them, she had to worry more about her mother than her father. Her mother worked full-time as a dental hygienist. A job that made Pamela nauseous every time she thought of it. Putting your fingers in someone else’s mouth? Gross! (Well...maybe not so gross if it was Steve Mason’s mouth and her fingers, she thought.) But her mother also held a second full-time job: being a parent. She read all the books and magazine articles, subscribed to all the websites, watched all the videos, went to all the PTA meetings. Her mother believed in a very hands-on approach to parenting. She took it all very seriously.

Her father, on the other hand, treated being a parent like he was observing a newly discovered tribe of aborigines. Like the good Associate Professor of Sociology he was, he stayed in the background, watching and not wanting to get involved. Every so often he would detach himself from the background to ask a question or to get clarification on some point. Then, he’d drift away again. She knew he loved her, knew he wanted the best for her, but she also knew he was pretty clueless when it came to what went on in the house. Pamela thought that her father found living with three women to be utterly confounding, and so he spent his days just trying to not be noticed.

And so it was her mother who was first on the scene to soothe Susan’s hysterics. And, boy, did the little brat have it bad. Pamela didn’t dare open her door to look down the hall. She stood with her ear pressed against the wood, listening to her mother tell Susan everything was going to be all right, it was only a nightmare, there wasn’t anything in her closet. A moment later — better late than never — Pamela heard her father’s sleepy shufflings as he passed her door, his grunted obscenities as he stepped on the myriad Legos strewn across Susan’s bedroom floor, the sound of Susan’s mattress groaning under his weight as he sat down. He said something just then. Something Pamela couldn’t quite make out. Her father spoke like he was still asleep and this was all one of his bad dreams. It sounded like “Whazza ma’er?”

“Guh-guh-ginghee!”

As Susan’s scream descended into a farrago of blubberings and mutterings, Pamela tiptoed back to bed. Best to be found sleeping, she told herself. Plausible deniability and all that. But a moment later, there was a knock at her door, and her father asked her to open up.

For a moment that seemed to stretch out like taffy, Pamela stood next to her bed, her blankets lifted like the flap of a tent in one hand, her right knee on her mattress, her left foot on the floor. She was frozen to the spot, knowing she could outlast her father, but wondering if she should. Her weight shifted slightly and a groan from one of the floorboards brought a fresh series of knockings and demands.

Pamela opened the door and did her best to act as though her father had just woken her.

“Wha’s goin’ on?” she asked as she peeped out through her partially opened bedroom door. She rubbed the meaty part of her right palm into her squinting blue eyes. She added a snuffle and cleared her throat. That’s good, she thought, very convincing. Hollywood, here I come.

“Nothing,” her father said. “Just a nightmare.”

“Oh,” Pamela said. She widened her eyes as if she were making a special effort to be awake for this. “M’kay.”

“You wouldn’t know anything about it?” her father asked. Was there an accusatory tone to his voice or was he just angry that he was awake, too?

“Why would I?” Pamela said. The sleepiness act fell from her eyes. She looked at him warily.

“I don’t know,” he said with a shrug as he picked the sand from the corner of her eye. “Just wondered. I know she’s been tagging around with you and your friends lately. Maybe you noticed something?”

“Did she say I had anything to do with it?”

“No. She said something strange is all, and I just thought maybe—”

“Maybe me and my friends poisoned the little angel?”

Pamela’s words fairly dripped with teenage cynicism, bitterness, and paranoia. She didn’t mean to come across so harshly. Sometimes it felt as though she wasn’t in control. It was like being a ventriloquist's dummy, and someone else was running her mouth.

“Do you know what a ‘ginghee’ is?” her father asked.

Pamela, who was about to slam her door shut, froze at the word. Don’t give it away, she told herself. Don’t react. Act cool.

“Is that what she said?”

“Yeah. It sounds familiar, but—”

“I don’t know,” Pamela said, and she shut the door.

She heard her mother tell her father to bring Susan a glass of water. Susan called out that she wanted it in her Disney Princesses cup. Her father’s single grunt said that he knew and he was getting it and he’d be right back.

Pamela hopped back into bed and pulled her covers overhead. Amazingly, she was in dreamland again before her father had returned with her sister’s water. Even knowledge of her impending doom at the hands of her mother come morning couldn’t hold back sleep and dreams of Steve Mason’s kissable lips. 

That feeling of being watched by something — by some thing — crept over Pamela again and pulled her out of her memories of the week before. She sat at the head of her bed, crammed into the corner of her room. To her left, sitting above her desk in the middle of the wall, was her window. She and her friends often watched old movies from the 1980s. Horror movies, teen movies — all sorts of things. Pamela watched them and wished she could be like the girls in those movies and have a trellis next to her bedroom window or a pitched roof below it. Some way for a friend (or Steve Mason) to climb up and visit her after her parents were asleep. Now, in the middle of the night, with her eyes fixed upon the light blurry patch that was her closet door, she wished she had such things outside her window so she could climb down them.

Climb down them and run.

She shook her head. Why am I doing this to myself, she wondered. She looked at her phone again. It was now 3:46. Before she understood why she was doing it, she opened the weather app on her phone. She told herself she only wanted to see if it was going to be cool enough tomorrow night to wear her new jacket to the football game. What her eyes searched for and found, actually, was the time for sunrise.

Not until 7:15, she thought. Three-and-a-half hours. That’s so far from now. What am I going—

The hinges of her closet door creaked ever so slightly.

Without thinking, Pamela turned off her phone and threw the covers over her head. Her breathing ceased immediately. She lay there, her body trembling, from fear as much as from lack of oxygen, listening. There was no further sound from across the room. Her closet door remained closed.

Of course it did, she told herself as she began to breathe again. Closet doors don’t open by themselves. The house was probably just settling. That’s what it was. Just the wooden joints of the house. That was the answer, she was sure of it. But she didn’t pull the covers off her head. And she didn’t turn her phone back on.

There, under her blankets, with her breath hot and her sweat cold, the memories of last week returned to her.

The morning after Susan’s nightmares, Pamela was sure that the little brat would turn tattletale and spill everything that Pamela and her friends had told her. At the breakfast table, however, Susan maintained that she did not remember being told about the Ginghee. In fact, Susan was more concerned about there not being any bacon to go with her pancakes than being told that she had woken up yelling her head off the night before. Where’s the bacon, she whined through mouthfuls of pancakes. Why isn’t there any bacon? Didn’t you buy bacon?

Finally, their mother slammed her hands on the table and said, yes, she bought bacon, but the teenaged check-out clerk at the grocery store must have forgotten to put it in the bag because he was on his phone the whole time. Their mother did her best to get the conversation back on track. She asked Susan to tell her what she remembered happening in the middle of the night. Steadfastly, however, Susan kept to the story that she did not recall. She said nothing about Pamela and her friends filling her head with dark images of ten-foot-tall, meat-eating, spider monsters. Susan acted as though she really did not remember. She was completely convincing.

While her father sleepily drank his coffee at the head of the dining room table and kept what he thought or didn’t think about the previous night to himself, her mother made it known that even though Susan wouldn’t admit it, she had immediately sussed out the truth of what Pamela and her friends had planted in her fertile little mind. Didn’t they know, she asked, that Susan had an overactive imagination and that everything they said became real to her? She told Pamela that she had to write an apology letter and read it to her sister. Luckily, she added, Pamela had all the time in the world to do just that, because she was grounded for the rest of the day. 

Afterwards, when their parents had sent the girls away from the breakfast table, when they had finished rebuking Pamela and urging her to think about what she’d done (eyeroll!), Pamela cornered Susan in the upstairs hallway. The older girl grabbed the younger one by the upper arm, jerking her up until she stood on her tip-toes. Pamela pushed Susan against the wall hard enough for the pictures hanging there to jump and come to rest again with a dull thump.

“What are you playing at, you little...turd?”

Pamela fumbled over the word “turd.” She was going to say the other word, the “S” word, like Emily, who could say the “S” word and the “F” word all day long, but the obscenity stuck in Pamela’s throat.

“Ow!” Susan squeaked. “Lemme ‘lone!”

“Quit fooling,” Pamela said in a harsh whisper.

“Ima tell on you!”

“Why are you faking?” Pamela asked.

“I’m not!”

“You are! You remember exactly what we told you about—”

“I’m not I’m not I’m not!”

“Hey!” their mother called up the stairs. “What’s going on?”

“Nothing!” the two girls said as one, which only made it seem as though something was definitely going on.

Susan pulled away from Pamela’s grasp and ran to her room. She slammed the door. The pictures leapt from the walls of the hallway again.

“Hey!” their mother yelled again.

Pamela skulked to her own bedroom and slammed the door. She heard the muffled voice of her mother from below.

That little brat, she thought. She’s up to something. Pamela didn’t know what, but she’d figure it out.

But, it seemed, Susan wasn’t up to anything. She kept to herself and left Pamela and her friends alone. The Ginghee was forgotten by them all. It was a week of peace and quiet.

Until tonight.

Just before she crawled into bed, Pamela received a weird text from Emily. It wasn’t in the group chat either. Though it rarely happened, whenever she had a one-on-one text from Emily, Pamela felt a strange feeling in her belly. It was like a block of ice sitting in a pool of boiling water. Hot and cold, all at the same time. She felt seen, she felt included, she felt special. At the same time, however, she felt like an escaping prisoner caught in the overbright glare of a searchlight. At those times, Pamela heard her mother’s voice, admonishing her about girls like Emily. At those times, she wondered if her mother had a point.

Emily’s texts were weird because she asked Pamela if she’d felt watched lately. Being part of Emily’s group meant that all eyes at school were on them, on her, watching. Emily said that wasn’t what she blanking meant. Only she had used the F-word. All in caps.

I mean watched!!!

I’ve felt it all day

But especially tonight

Especially now

Watched

Like someone spying on you?

Like through your window?

Then, a photo showed up in her feed. It was a picture of a corner of Emily’s bedroom taken from her bed. It wasn’t well lit. Against one wall was her desk with her fancy gaming computer (something Pamela knew her parents would never buy her) sitting atop it; in the other wall was her closet. Its two sliding, folding doors were nearly, but not quite closed.

Do you see anything in my closet??

Pamela zoomed into the photo, but the low light just made everything fuzzy.

I don't see anything.

What do you see?

Black eyes that don't shine in the light

Black eyes in which you can't see your own reflection

Confusion washed over Pamela. Was that from a song? Or a poem? And when had Emily Kowalski become interested in poetry? The girl was flunking Mr. Whyle’s English class.

Then, she recalled where she’d heard it before. Those weren’t lines from a song or a poem. They were some of Emily’s own contributions to the Ginghee legend.

She started and stopped and deleted her next text several times. She couldn’t get the phrasing or the feeling just right. Couldn’t find the words that didn’t sound derisive or patronizing. Before she could come right out and ask Emily if she thought the Ginghee was real — like really real — Emily texted her saying that she had to get ready.

Steve is coming over to keep me company

He'll be here any minute

Forget it

I'm being stupid

See you tom?

Pamela said that yes, Emily would see her tom. They were all going to the football game tom.

Now, at 3:55 in the morning, a feeling of not being alone, of being watched in her own bedroom, washed over Pamela like an inky ocean wave. She, too, could feel eyes upon her. Black eyes that did not shine in the light. Black eyes in which one could not see one’s own reflection.

Pamela looked to her right, to her bedroom door. It was six, short feet away. She could do them in three long steps. Maybe less if she leaped from her bed.

Why was she thinking of escape? Of running? There was nothing here in her room. Nothing here in the dark.

The closet door creaked on its hinges.

Pamela’s eyes had adjusted to the dark, but even so, she could not make out the other side of the room. She only knew that the closet door had opened again. A bit? A lot? She didn’t know.

A soft shuffling sound emanated from the closet, as if the clothes hanging inside it were being moved aside. The door creaked again.

Pamela reached for her phone. From the home screen dashboard, she thumbed its flashlight on. The light, bright and harsh, pierced the dark like a stiletto.

Just as the light began to fade — slowly, methodically, as though something lapped it from the very air — Pamela caught sight of movement in the sliver of darkness between her closet door and the jamb. Four long, thin legs slipped around the edges of the door, two over the very top, and two near the bottom. Another two legs, equally long, equally thin, gripped the edge of the side jamb. Each leg was covered in long, black, wiry hair that twitched in the dying light of Pamela’s phone.

Then, from the space above the open door, a dark mass emerged. It passed through the doorway at an angle, as if it had to stoop to exit the closet. It was a great, black, hairy head. Once clear of Pamela’s closet, it rose up until the top of its dark, furry head brushed the ceiling. Even then, Pamela could see that it was not at its full height. As tall as it was, it still seemed to crouch there in the corner of her room.

In the fading light, Pamela noticed that the Ginghee’s head was not completely dark. There was a light patch on what she assumed was its face. It hung there like a mask. A mask that was ragged around the edges, as if it had been torn free from its source. The mask looked just like Steve Mason, whose kissable lips hung loosely from his gaping mute mouth. The holes that once held his blue eyes were black, soulless patches that did not shine in the light and in which Pamela could not see her reflection. 

As the light finally failed, and the soft padding of eight hairy feet crossed her room, Pamela screamed.

And screamed.

And screamed.

Drawing by Henry Lewis (2024)

2.

Mommy was crying. Susan sat in the middle of her bed, combing her doll’s hair. She could hear Mommy and Daddy through the wall of her bedroom. Mommy was crying because she was sad. Sad about Pamela. Daddy was sad, too. But he wasn’t crying. It’s okay, Daddy told Mommy. She’s going to be okay, Daddy said. But Mommy did not believe him. She kept crying.

It had been a week since Pamela got hurt. Pamela was still in the hospital. The doctors said she was okay — “stay bull” was what the doctors had told Mommy and Daddy. Pamela was stay bull. She had lost a lot of blood. And skin. But they’d been able to help her in time. Her operation — the first of many, the doctors said as Mommy cried and cried — was a success. The doctor said that Pamela would need more operations. For her arms. For her chest. For her face. Pamela needed a skin giraffe for her face. Whatever that was. The doctor said he would take skin from other parts of Pamela’s body and put it on her face. We could take skin from her buttocks, the doctor said. It sounded to Susan like the doctor said “butt talks,” and she began to get the giggles. She giggled more and more at the thought of calling Pamela “Buttface.” Mommy started to cry. A nurse came and took Susan out of the doctor’s office.

The night of Pamela’s accident had been — what was the word Daddy had used? oh, yes — heck tick. Pamela’s screams woke up the whole house in the middle of the night. Mommy and Daddy ran to Pamela’s bedroom. They couldn’t get in. Pamela’s screams became louder, thinner, sharper, like the screech of an eagle. There were other sounds, too. Thumps and bumps. Crashes and bashes. Like her bedroom turned upside-down and all the furniture fell from the floor to the walls to the ceiling.

Mommy was yelling and crying, telling Pamela to unlock her bedroom door. You know the rules, Mommy said. You aren’t supposed to lock your door, she said. Daddy pounded on the door — first with his fist, then with his shoulder. While he tried to open Pamela’s bedroom door, he told Mommy to call the police. There’s someone in there with Pamela, Daddy said.

Susan was in the hallway when Mommy ran past her. Daddy moved back a step or two, raised his foot and brought it down on Pamela’s bedroom door. The door crashed inward, half on and half off its hinges. Daddy turned on the light. Then, Daddy screamed.

Susan sat cross-legged on her bed, combing her doll’s hair with long, deliberate strokes. She still remembered Daddy’s scream. It was like Pamela’s. He wasn’t so tough. Daddy screamed just like a little baby. Susan giggled at that.

Something stirred beneath Susan’s bed. The light from her pink Disney princess lamp faded ever so slightly. It dulled for a second, then came back again.

Susan put her doll and the hairbrush aside. She jumped from the bed and crossed the room to her dresser. From the bottom drawer, she pulled a package wrapped in white butcher’s paper. With Pamela in the hospital, it was easier for her to take things from the refrigerator. She knew that her parents had other, more important things on their minds. Which was too bad, the little girl thought. It was fun watching Mommy yell at the manager at the grocery store about missing items from her grocery bags.

The package Susan removed from her dresser was the size of a roll of toilet paper. This made Susan think of calling Pamela “Buttface” again, which made her start giggling all over again. Which made the something under her bed stir again. The lamplight faded, then came back. Faded, then came back. Susan returned to her bed, package in hand.

Daddy told the police that what made him scream when he kicked down Pamela’s bedroom door was the blood. It was everywhere. The floor, the walls, the bed, and even the ceiling. So much blood. Daddy even told Mommy that the blood was why he screamed. He said it over and over again. It was the blood, Daddy said.

But Susan knew better.

Earlier tonight, the nice policeman who visited Mommy and Daddy asked Daddy if he was sure he hadn’t seen something else when he kicked down the door to Pamela’s bedroom. The policeman asked Daddy this because the same night that Pamela had her accident, classmates of Pamela’s had had a similar accident. Only these classmates — Emily Kowalski and Steve Mason — had been killed. And last night, another young girl, Rebecca Myers, had a similar accident and had been killed in her bedroom, too. He told Mommy and Daddy that each of these kids had been found in the same condition. The skin from their heads had been scraped completely from their skulls. It was all very neat, he said.

Susan, who had been sent upstairs to play when the nice policeman came for his visit, could hear everything through the floor register grate in her bedroom. She agreed with the policeman. It would be very neat to see that.

Are you sure, the nice policeman asked Daddy, you saw nothing else?

There was a long, drawn-out silence. Susan knew Daddy was thinking and thinking about what he’d really seen when he kicked down the door to Pamela’s bedroom.

No, Daddy said, I only saw the blood.

But Susan knew better.

Sitting on her bed, Susan unwrapped the package from her dresser. After flattening the butcher’s paper without getting any of the ground meat inside it on her hands, Susan lowered the offering to the floor.

The sounds under her bed, soft and shuffling, became slightly agitated with excitement.

Susan reached over and turned off the lamp on her bedside table. Moonlight drifted through the slats of the window blinds giving the darkened bedroom a soft illumination.

Sitting cross-legged in the middle of her bed, Susan looked into the mirror on the back of her closet door. From her position, she could see herself, her bed, and the meat on the floor.

A moment later, two long, black, hairy legs emerged hesitantly from beneath the bed. They touched the paper and the meat, then, convinced that all was right, pulled the food under the bed. The sounds of paper rustling and meat being slurped up ensued.

Susan reflected as she listened to the Ginghee feed. That first night had been the worst. After Pamela and her friends had told her about the Ginghee, Susan ran to her room and slammed the door shut. She crawled into bed and pulled the covers over her head. She lay there shivering and waiting for the sun to set and for the Ginghee to emerge from her closet. She knew it was coming for her. She just knew it.

But then Susan remembered something that Mommy and Daddy always said. It was about knowing the rules. It was important to know the rules. Whether you were playing a game or visiting a friend’s house, if you knew the rules, and kept to the rules, then everything would be just fine. And if there weren’t any rules, then you had to make some.

Pamela and her friends thought they were, oh, so smart. But they didn’t know everything. Pamela and her friends didn’t know all the rules. They didn’t know that if you wanted to control the Ginghee, then you had to say its name ten times while looking into a mirror in a dark room. They didn’t know that so long as you kept the Ginghee fed, it would never hurt you. And they certainly didn’t know that you could never talk about the Ginghee. To anyone. Ever. Doing that was just inviting trouble. Like leaving the lids off the garbage cans was just inviting raccoons to make a mess.

Even knowing the rules as she did, seeing the Ginghee that first night was so, so scary. It had taken all her strength to say its name ten times. She’d tried several times before finally following that rule to its end in the middle of the night. And when the closet opened, and the Ginghee’s black, blank face peered around the door at her, Susan couldn’t help but scream and scream and scream. She half-expected to see the Ginghee eat Mommy and Daddy alive when they came rushing into her bedroom to see what was the matter. But the Ginghee stayed in the closet, hiding, waiting for Susan to tell it what to do. Susan had certainly learned her lesson that night: so long as she followed the rules, the Ginghee would never hurt her.

Pamela, Susan thought, had learned her lesson, too. Pamela would never again chase Susan away or tell her to leave her alone. There were some other things Susan wanted: a new doll, for instance, and ballet lessons. Susan felt that Daddy could convince Mommy that she deserved those things. If not, maybe Mommy would be visited by the Ginghee in the middle of the night. Maybe when Daddy was staying with Pamela at the hospital. When there was no one else in the house except Mommy, Susan, and...

From beneath Susan’s bed, the sounds of feeding had ceased. The butcher’s paper, balled up neatly, came rolling out. Susan smiled. So hungry, Susan whispered. You were so hungry. Why, even eating your fill earlier in the night hadn’t ruined your appetite.

In the mirror, the dull, dead face of Michelle Thompson looked back at Susan from under the bed. And though the ragged mask it wore was unable to express emotions, Susan thought the Ginghee looked happy and content as it drifted off to sleep.


The End

Drawing by Henry Lewis (2024)

Afterword

I have been sitting on this story for a quite a few years now. It is the only short story I have written in a single sitting. The story was just there in my head, and all I had to do was write it down. So I did.

That first draft was completed in one go, but it was much too long and had too many points-of-view to survive in that form. (Originally, I'd given each member of the family -- father, mother, Pamela, and Susan -- their own section.) It took me a while to figure out that the story worked best when its action was seen through the eyes of the two sisters, and only their eyes.

"Ginghee" is a word that one of my sisters, like Pamela in the story, made up when she was very young. It was a pejorative she tossed around when talking about other kids in the neighborhood or at school. Another word she created that served the same purpose was "blarb." Sometimes they were combined; someone could be a "ginghee blarb" or a "blarb ginghee." My parents and I thought these words were very useful, and we started using them, as well. We still use them from time to time.

The illustrations included with "The Ginghee" are by my son. I think they are very apropos. Strangely, however, he never read this story in any of its iterations. I do not think I ever talked to him about it. Yet, somehow, he captured the essence of my creature in his sketches. I hope that, no matter what he chooses to do career-wise, he does not give up drawing multi-eyed, multi-mouthed, and multi-tentacled monsters. The world could always use a few more.

I've sent "The Ginghee" out in various forms to a few online magazines over the years, but had no takers. C'est la guerre. It probably is not up to snuff for proper publication, but I still think it is a pretty good story and deserves to have a life outside of a hard drive that sits in my desk drawer. For some time now, I have been threatening to post my fiction output here at LARPing Real Life. I am not going to promise you that I will post my stories on a regular basis, but there may be some more coming down the pike in the future.

So...if you have no interest in fiction and only come here to hear me bloviate about movies and tv on an annual basis...

Saturday, October 31, 2026

Blog-o-ween 2026: Playin' Chicken with Stephen King's Christine — Day 31

Epilogue


We are back in the present day, 1983. Dennis has finished his tale of what happened to his best friend Arnie Cunningham. But Dennis’s story is not quite done.

Nor is Christine’s.

Five days after the battle with Christine in Darnell’s garage, they buried the Cunninghams in a family plot. At the service, Rick Mercer tells Dennis that he had some men dump Christine into the crusher behind Darnell’s. One of the men received a bad cut. The man said that the car bit him.

And Leigh? Dennis and she did not live happily ever after. They gave it a go for two years, but found that Arnie (and Christine and Roland D. LeBay) were still between them. It was impossible for them to continue. Leigh left college and moved to Taos, New Mexico, with her husband. Dennis finished college and teaches junior high history. His memories of Arnie are still there, but fading a little each year.

What haven’t faded are the dreams. In his dreams, Christine and Roland D. LeBay are still there, still angry, still hungry.

One more thing… a stray newspaper item that made it onto the Associated Press wire. It seems that out in California, a young man was killed at a drive-in theater he worked at. Some maniac drove his car right through the snack bar after the theater had closed for the night. The young man’s name? Sandor Galton. Perhaps called “Sandy” for short.

Dennis imagines Sandy Galton’s death in California leading to LeBay’s sister in Colorado leading to Leigh in New Mexico leading to George LeBay in Ohio leading back to Dennis.

Christine and LeBay…

Their single-minded purpose…

Their unending fury…


Whelp… we done did it, Blog-o-weeners. We finished Christine by Stephen King. What did yinz think? Personally, I think it’s a pretty good story. Maybe a bit over long — especially that middle section — but overall it works for me.

Maybe I’m just an easy touch? That could be. I always try to approach a book or movie or whatever with an open mind and open heart. I mean… sure… the wonky geography of the book and Dennis and Arnie’s insane love of the Philadelphia Phillies made me madder than a wet hen, but I’m willing to forego any beef I may have with our beloved author because I really dig this epilogue.


I love that since Christine (the car) is a revenant from the 1950s, Christine (the novel) ends on a note similar to a monster movie from the same time period. Think: The Blob being airlifted to the Arctic and the words “The End” morphing into a big, fat question mark. That’s what we have here.

I also like that what causes Dennis to think that Christine has returned from the dead is a newspaper article he just happened to read. You know how I feel about other media showing up in novels and short stories.


In fact, I would have been even happier if the entire article was printed in the book as is. Kind of like the story of Momson, Vermont, in ‘Salem’s Lot. It would have been even more fun if it was a cover story of a tabloid newspaper that Dennis happens to see while in the grocery store checkout line.


One other touch that I quite like is the direction in which Dennis imagines Christine travels. Beginning with Sandy Galton’s murder in California (and Sandy getting flattened in a drive-in theater is another great nod to the monster movies of the 1950s), Christine would have to travel from west to east to reach Dennis. West to east — against the sun. In essence, Christine and LeBay would be traveling back in time to finish slaking the thirst of their shared vengeance.


One bummer about our ending, however, is the fate of Leigh Ackerman (née Cabot). Oh, I’m not talking about her and Dennis breaking up. (I can totally understand that.) I’m not disappointed in her for leaving college early to get married. (It happens. I guess.) I’m certainly not displeased about where she and her hubby end up living. (Taos, New Mexico, is a bee-yoo-tee-ful area of the United States. Lot of artists live there. Dennis Hopper lived there.)


(Maybe ol’ Dennis liked living in Taos a little too much, if you catch my drift.)

No, what burns my biscuits is that Leigh leaves college, gets married, and moves to Taos so she can sell Amway.

What now?

Founded in 1959 by Jay Van Andel and Richard DeVos (yes… that DeVos), Amway (short for “American Way,” natch) is a multi-level marketing company (or MLM for short) that sells health, beauty, and home care products.


Amway has been investigated many times over the years in various countries for alleged fraudulent business practices. In India, in the early 2000s, Amway was identified as a pyramid scheme and its product offerings a masquerade. Some Amway distributor groups have been accused of using “cult-like” tactics to attract new distributors and keep them involved and committed. Allegations include resemblance to a Big Brother organization with a paranoid attitude toward insiders critical of the organization and seminars resembling religious revival meetings.


Naturally, all that hasn’t stopped the company from being a force in U.S. politics. (In fact, it’s probably helped.) Amway is a major contributor to the Republican Party and GOP candidates. (Of course, they are.)


C’mon, Leigh… you can do better! Why not just join The Church of the Sub-Genius, for cryin’ out loud?


Well, it looks like we are almost at the end of the road. It’s been thirty-one days since you took a chance and stuck out your thumb, hoping for a ride. Sure, we took the long way around, but sometimes its the journey and not the destination, amirite? I think we’ve had a pretty good time together. In fact, I had such a good time that I wanna leave you with a little something.


Earlier in our trip, I mentioned that newer editions of Christine did not include the snippets of rock’n roll song lyrics at the head of each chapter. I promised to make a list of all those songs that Stephen King used — and paid good money to use! So… here ya go!
Eddie Cochran - “Somethin' Else”
The Coasters - “Yakety Yak”
Charlie Ryan - “Hot Rod Lincoln”
Beach Boys - “This Car Of Mine”
Jand & Dean - “Surf City”
Glenn Frey - “Partytown”
Bo Diddley - “Road Runner”
Steve Miller Band - “Mercury Blues”
Moon Martin - “Cadillac Walk”
The Beatles - “Drive My Car”
Bruce Springsteen - “Cadillac Ranch”
The Modern Lovers - “Roadrunner”
Chuck Berry - “Maybelline”
Elvis Costello - “Less Than Zero”
Steely Dan - “Deacon Blues”
Beach Boys - “Little Deuce Coupe”
Chuck Berry - “My Mustang Ford”
Janis Joplin - “Mercedes Benz”
Beach Boys - “Shut Down"
Chuck Berry - “No Money Down”
Moon Martin - “She's In Love With My Car”
The Modern Lovers - “Roadrunner”
Chuck Berry - “No Particular Place To Go”
Woody Guthrie - “Riding In My Car”
Bruce Springsteen - “Racing In The Street”
Nervous Norvus - “Transfusion”
The Medallions - “Buick 59"
The Who - “Magic Bus”
Chuck Berry - “You Can't Catch Me”
Bo Diddley - “Who Do You Love"
Bruce Springsteen - “Racing In The Street”
Beach Boys - “409”
Bo Diddley - “Ride On, Josephine”
The Clash - “Brand New Cadillac”
ZZ Top - “Mexican Blackbird”
The Inmates - “I Can’t Sleep”
Howlin’ Wolf - “Ridin’ in the Moonlight”
Chuck Berry - “No Money Down”
Charlie Ryan - “Hot Rod Lincoln”
Beach Boys - “Custom Machine"
Bob Seger - “Mary Lou”
Bruce Springsteen - “Ramrod”
Bruce Springsteen - “Cadillac Ranch”
Bob Dylan - “From A Buick 6”
Beach Boys - “A Young Man Is Gone”
Mark Dinning - “Teen Angel”
Bruce Springsteen - “Wreck On The Highway”
The Doors - “Riders On The Storm"
Jan & Dean - “Dead Man's Curve”
J Frank Wilson & The Cavaliers - “Last Kiss”
Robert Creeley - “I Know A Man”
I am sure some enterprising soul out there has already created a playlist of these songs on some music app out there. Alas, I am not that enterprising soul. Instead, I am taking it upon myself to track down these songs in a more physical form — especially the Moon Martin tracks. I loved those songs!


One last story before I let you out on the sidewalk in front of your house. It’s a quickie, I promise, and one that you might get a kick out of. Have you ever heard the old one about the fellow who ran out of gas and hitched a ride with a mysterious driver who ended up being… a ghost!


Heh-heh-

Oh… you’ve heard that one before? What’s that? You have a story for me? It’s about a guy who picks up a mysterious hitchhiker late one night…


G-G-Gee… I-I-I never heard that one b-b-before. It’s pretty good. Wh-Wh-Where did you say you lived again? This is the address you gave me, but this is the local cemetery. That can’t be right, can it—


Say! Where did you get to? I didn’t even hear the door open and close.

Whelp… let’s just chalk this up to experience, shall we, Blog-o-weeners? You pick up enough hitchhikers, you’re bound to pick up a ghost every so often, amirite? That’s just plain old statistics. 

In the meantime, next time you’re driving the dark back roads around Libertyville and you see someone with their thumb out looking for a ride, maybe you’ll remember what happened here tonight. After all…


Oh, yes… one more thing…

Friday, October 30, 2026

Blog-o-ween 2026: Playin' Chicken with Stephen King's Christine — Day 30

Part 3: Chapter 51


It is nearly noon, and Dennis and Leigh point Petunia towards Darnell’s Garage. On the way, they stop at a phone booth to call the Cunningham house to find out if Arnie has made plans to leave Libertyville. Michael answers and is frantic. Arnie, he tells Dennis, has told Regina that he has finally come to his senses about college. He wants to visit Penn State — today! Regina is over the moon, and she agrees. The two of them are leaving that afternoon. Dennis tells Michael to talk to his own father, and then the two of them are to convince Leigh’s family  of what’s going to happen. Then, they are all to gather together at the Cabot’s sturdy brick house. He tells Michael to tell them all to stay off the roads when Arnie and Regina leave town. He also tells Michael that under no conditions should he approach Christine if he sees her.

While opening the garage door at Darnell’s, Dennis falls and re-injures his leg. The pain is excruciating. Unable to work Petunia’s clutch with his left leg, Dennis downs a handful of painkillers and builds a makeshift lever out of a mop handle. While they wait, Dennis lays out his plan: at dusk, they will open the door to the garage. When Christine enters Darnell’s, Leigh (hiding from sight) will step out of the garage as she hits the button of the automatic door opener. With the heavy duty door shut behind her, Christine will be trapped. Dennis will use Petunia to batter Christine to death.

Dennis falls asleep while they wait. When he wakes up, it is dark and snowing harder. Leigh exits Petunia to walk towards her hiding place. Before she can reach it, Christine, who was laying in wait just outside the garage, pins her in place with her headlights. Christine leaps forward to run Leigh down. Before she can, however, Leigh hits the button and closes the door. Christine is trapped inside, but so is Leigh.

Fighting the truck’s clutch, Dennis manages to protect Leigh, who wanders about the garage dazedly after hitting her head during her initial escape. After being struck by Petunia, Christine’s passenger door opens to reveal the corpse of Michael Cunningham. Dennis rams Christine again, and he sees the grinning face of Roland LeBay sitting behind the wheel.

As Christine tries again and again to get at Leigh, Dennis sees that all the damage he has caused her is quickly repairing itself. Dennis sends Petunia into Christine again and again, crushing Christine with every impact. LeBay screams his defiance, but Dennis keeps driving the truck into Christine until her engine dies. Then, he passes out.

Dennis comes to with Leigh leaning over him. While he was passed out, she tells him, she ran outside and stopped a snow plow. She told the driver to call the police. While they wait for the cops, Christine starts to rejuvenate, the dents in her chassis smoothing out, her tires inflating, her engine revving. Together, Dennis and Leigh get Petunia rolling again. Just as they set to batter Christine into submission one last time, the ghosts of LeBay’s wife and daughter appear. Ignoring them, Dennis smashes into Christine again and again and again until she is nothing but a spread-out pile of junk.

Days later, Dennis comes to in the hospital. Sitting in his hospital room is State Police Inspector Rick Mercer. Mercer gives Dennis the good news that his fall outside Darnell’s hadn’t re-broken his leg. He also passes along the bad news that Arnie and his mother were killed in a car accident on the Pennsylvania Turnpike. Witnesses seem to think that there was a fight happening in the car between Arnie and a third person. Police chalk it up to a hitchhiker the Cunninghams had picked up, but Dennis knows it was LeBay. Giving up on Christine when it seemed as though she was lost, LeBay had tried to take back possession of Arnie. Arnie, however, had fought him off and, being the consummate chess player he was, had at least earned a draw…


There we have it, Blog-o-weeners. Oh, I know we still have one more day to go, but that’s just the dénouement. For all intents and purposes, Chapter 51 is the real end of Christine — in every sense of the word.

I like that King gives Arnie one last chance to be something of a hero. Sacrificing himself (and his mother) to rid the world of Roland D. LeBay is a proper end. I think we had all known for some time now that things would not end well for him. He was just too far gone. So, at the end, as King would say in another, earlier novel, Arnie made his stand.


In John Carpenter’s film adaptation of Christine, because there is no Roland LeBay character, Arnie is more culpable in Christine’s murders. In fact, for the final showdown in the film, Christine doesn’t ride alone. Arnie is there with her as an active participant. I prefer the more tragic depiction of Arnie in the book. This isn’t to say that Arnie has no responsibility for what happened. He had plenty of moments of clarity, where he knew what he was doing was wrong. It’s just that his addiction to Christine was just too strong for him to fight. One wonders if this is the way that King himself saw his own addiction and his own end.


I mentioned before that in earlier editions of Christine, King used lyrics from rock’n roll songs as epigraphs at the heads of each chapter. These songs — by artists such Chuck Berry, The Beach Boys, Bruce Springsteen, and Moon Martin (a new favorite of mine!) — were almost exclusively about cars in some way. Here, in Chapter 51, we don’t get a snippet of a rock’n roll song, we get an entire poem by Robert Creeley.

Who now?


Born in 1926, American poet Robert White Creeley wrote more than sixty books in his lifetime. He entered Harvard in 1943, but left briefly to serve in the American Field Service in Burma and India in 1944–1945. He returned to Harvard in 1946, but left again to earn his BA from Black Mountain College in 1955.


Located in North Carolina, Black Mountain College was founded in 1933 and ideologically organized around John Dewey's educational philosophy, emphasizing holistic learning and the study of art as central to a liberal arts education. While at Black Mountain, Creeley met and worked with a group of writers and artists who formed the core of the so-called Black Mountain poets. (Though many of their number thought the idea of their forming a special group or poetical movement ridiculous.) These poets formed the backbone of the American avant-garde and post-modern movement for years to come. They included Charles Olson, Robert Duncan, Allen Ginsberg, John Wieners and Ed Dorn.


My favorite thing about Creeley was how supportive of any artist he was regardless of fame or affiliation. Being responsive to the needs of others appeared to be essential to his personal ethics, and he seemed to take this responsibility extremely seriously, in both his life and his craft. He believed in artists helping artists, I guess.


Speaking of literature, Leigh finds examples in Darnell’s bathroom of another great American literary tradition: the sex book. When Leigh presents Dennis with the mop handle, he asks her where she found it:
“‘In the bathroom,’ she said, and wrinkled her nose.

‘Bad in there?’

‘Dirty, reeking of cigars, and there’s a whole pile of moldy books in the corner. The kind they sell at those little hole-in-the-wall stores.’

So that was what Darnell left behind him, [Dennis] thought: an empty garage, a pile of Beeline Books, and a phantom reek of Roi-Tan cigars.’” (473-4)


Beeline Books began life in the early 1960s publishing racy, pop-culture books. (Think: sexy spoofs of The Man from U.N.C.L.E. entitled The Girl from B.U.S.T.) They didn’t get into the type of books that Leigh and Dennis discover in Darnell’s bathroom (Good lord! Choke!) until the late-1960s after other publishers such as Greenleaf and Grove Press had won their own censorship battles. Beeline continued to provide men who could read with one hand with a steady production of sex books well into the 1990s.


Another type of literature altogether is being read by Rick Mercer as he waits for Dennis to wake up in the hospital.


Born in 1916 in Sharon, Pennsylvania, (which is about 70 miles north of Pittsburgh, close to the Ohio state border), John Dann MacDonald was best known for his crime and suspense novels, especially those starring his character Travis McGee. MacDonald also wrote the novel The Executioners (1957), which was filmed twice as Cape Fear, once in 1962 and again in 1991, and adapted in this past year as a television series.


Stephen King is a big admirer of John D. MacDonald’s, calling him “the great entertainer of our age, and a mesmerizing storyteller.” King first encountered MacDonald’s work in 1959 with Murder in the Wind. He said that it taught him that it was possible to 
“[tell] the truth about life even while you were writing for the popular market, so often regarded by those self-esteeming English profs as a market made up of closet sadists, lowbrow truck-drivers, and bored housewives. But even at twelve, with no more experience of life than a rural upbringing could afford, I knew the feel of the real when it touched me in that book. How could I, or anyone, not feel it? Murder in the Wind did not reach out and touch you; it grabbed you, jerked you into a dark alley, and assaulted you.”
In the lead up to publishing his first collection of short stories, Night Shift (1978), King’s editor and mentor Bill Thompson asked him who he would like to write the introduction. King answered automatically, “John D. MacDonald.” Thompson thought that was a great idea, but King did not think it was likely to happen.


Much to his delight, however, MacDonald told him that he would read the stories and, if he liked them, would send along the introduction. A few weeks later, he did just that. Written at a time before Stephen King had become “Stephen King” and before MacDonald and King had ever met, King never forgot the man’s generosity. It is obvious that MacDonald’s short piece — a discussion of the art of writing, as well as the art of being a writer — was done because he honestly liked the stories, as well as the craft wielded by the man behind them.


I can’t believe that tomorrow is the final day of Blog-o-ween 2026. It has been one helluva long haul, but we finally made it. Well, almost… you still have to read the book’s Epilogue. It’s only six pages. You should be able to finish it up while I hit that bookstore next to the motel.

Don’t look at me like that. I just want to see if they have a copy of Lady Chatterley’s Lover.


One last thing before we call it a night… Dennis mentions that the triple funeral for the Cunningham family was
“reported [as] a tragic and bizarre fairy tale — father killed in driveway car accident while mother and son are killed on Pennsylvania turnpike. Paul Harvey used it on his program.” (496)
Who now?


Paul Harvey Aurandt was born in Tulsa, Oklahoma, in 1918. For over fifty years on ABC News Radio, Harvey’s broadcasts reached as many as 24 million people per week. He was carried on 1,350 commercial radio stations, on 400 American Forces Network stations, and in 300 newspapers.


Harvey’s most famous creation was a Monday-through-Saturday radio program entitled The Rest of the Story. That phrase — “…and now you know the rest of the story.” — had been a part of Harvey’s newscasts since before the Second World War. The Rest of the Story premiered on May 10, 1976. It consisted of true stories on a variety of subjects with some key element of the story held back until the end. These broadcasts always concluded with a variation on the tagline, “And now you know… the rest of the story.”


Unfortunately, Harvey was also a friend of both FBI Director J. Edgar Hoover and US Senator Joseph McCarthy. Harvey would often submit copies of his radio scripts to Hoover for the man’s approval. Harvey was also a ardent supporter of McCarthy’s campaign to expose and expel communists from American society and government. So, I guess I can end this post by saying, “And now you know…”