Genre is the same way. Start of with a horror movie, and over time, as it passes from filmmaker to filmmaker, from generation to generation, you get horror-comedies, sci-fi horror, romantic horror, action-horror, horror westerns. There as many permutations as you can imagine – and more.
Well some mash-ups can go too far...
Today’s movie is an example of this evolution. In the 1950s and 1960s, England’s Hammer Studios was a veritable horror movie factory. Movies like The Curse of Frankenstein (1957), Horror of Dracula (1958), and The Curse of the Werewolf (1961) starring actors like Peter Cushing, Christopher Lee, and Oliver Reed were bringing the classic Universal Studios monsters to a new generation of audiences. As the years passed, these movies, like our wad of gum, began to pick up bits of other movies. Before you knew it, Peter Cushing was in Hong Kong fighting kung-fu vampires, and Christopher Lee’s Dracula was being pulled into the Swinging London of the 70s by a bunch of hippies.
Horst Janson as Kronos is a pleasant enough hero, though his cheekbones do a lot of the heavy lifting. Caroline Munro, a veteran of the sword & sandal fantasy genre, is a wonderful co-star and sidekick. Everything has that “Huzzah!” feeling that you expect from a swashbuckling picture. On top of that, you get a pretty novel spin on the vampire myth. This was supposed to be the first in a series of movies, but Hammer closed soon thereafter due to financial problems.
Another level to the proceedings, and one that I was not aware of before, is that Captain Kronos, Vampire Hunter, is sometimes considered to be a fourth entry to the Karnstein Trilogy. Fans of J. Sheridan Le Fanu’s 1872 novella, "Carmilla,” will recognize the name. The saga of the Karnsteins, a family of vampires, is (very) loosely traced over three movies, The Vampire Lovers (1970), Lust for a Vampire (1971), and Twins of Evil (1971). If we consider Captain Kronos, Vampire Hunter to be a fourth installment, then it would seem that one of the Countess Karnsteins descendants made it out of Central Europe and into England. It’d be fun to see another of these bodice-rippers set on the shores of the New World.
Imagine: The Karnsteins in America! A colonial 'Salem's Lot!
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